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     Kerry Henry is the founder of Kerry Henry Piano Studios, established in 2007. She was a piano instructor of intermediate and advanced students at the Raleigh Conservatory of Music 1992-2006, where she served as Associate Director for 11 years. She grew up competing in the Music Teachers National Association (MTNA) high school and college auditions, winning the state (South Carolina) twice and receiving Honorable Mention at the Southern Division college level in Louisville, Kentucky. She received her Bachelor of Music degree in Piano Performance from Columbia College in Columbia, South Carolina, where she studied with Robyn Gibson for 6 years.

     She received coaching for 2 years (1981-1983) from Pawel Checinski and has performed in master classes for Claude Frank, Constance Knox Carroll, and Daniel Pollack.

     Henry is an active member of the Raleigh Piano Teachers Association (RPTA), having served as First Vice-President 1998-2000 and Co-Chair of the Young Artist Piano Auditions (a competition for 900 Raleigh area piano students) 2000-2003. As an involved member of the North Carolina Music Teachers Association (NCMTA), she has served on the board as Piano Section Chair 1999-2001, Secretary 2001-2003, President-Elect in charge of the annual state conference 2003-2005, President 2005-2007, co-chair of the NCMTA State-East contest-festival 2009-2010, and currently serves as Planning Senate chair 2009-2012.

     On the national level, she completed an appointment on the MTNA Local Association of the Year Award Committee 2007-2009.  Henry is also a member of the Durham Music Teachers Association (DMTA).    

     Henry’s students actively participate/compete in the RPTA, NCMTA, Raleigh Music Club, Campbell University, and National Federation of Music Clubs festivals/competitions. Many have been winners at the local and state levels, and most of her high school graduates have continued their piano education as music majors or minors in college. Her students are also continually involved with recitals and community service performances.

     Kerry Henry is an adjudicator for various competitions throughout the state, performs frequently with her students, and holds a Nationally Certified Teacher of Music certification through the Music Teachers National Association.



    

     Oyku Goller hails from Istanbul, where she began piano lessons at the age of four. At the age of six, she was accepted into the Istanbul University State conservatory, where she studied with Professor Meral Yapali. She began her teaching career at the age of 15, and at the same time, maintained a performing career as a soloist and accompanist.

     Oyku graduated from Mimar Sinan University State Conservatory with a Bachelor of Arts degree in Collaborative Piano in 1995 and continued to work for both the Istanbul and Mimar Sinan Conservatories as an ensemble pianist and an accompanist for opera classes and musicals. For almost 20 years, she served as Korrepetitor (a job requiring one to be both opera coach and opera accompanist) for well-known operas such as La Boheme, La Traviata, The Marriage of Figaro, Magic Flute, and Carmen. Her accompanying skills spanned further than opera, including many solo instruments, such as violin, cello, flute, trombone, guitar, and contrabass.

     Oyku’s piano teaching career began in Istanbul, where many of her students were accepted into Conservatories and went on to become accomplished pianists. Upon her arrival to the United States in 2008, she continued teaching at Steckman Studio of Music in Oak Park, Chicago as well as the YMCA in Bethesda, Maryland. Oyku enjoys teaching a wide range of levels and ages – from the very young beginner to advanced teens to adults.

   


    

      Karoline Strickland is a 2007 graduate of Campbell University where she was a recipient of the Mary Williams and Marion L. Eakes Scholarship, as well as a recipient of the IBM Thomas J. Watson Scholarship and the 2003 NCHE College Scholarship. She graduated from Campbell with a B.A. in Comprehensive Music, emphasizing performance, and also completed a second major in English. She is a member of Sigma Tau Delta and Phi Kappa Phi.

    Throughout her high school and college years Karoline has won many musical awards, including the NCFMC Elizabeth Terrell and Estelle Brady Senior Piano Concerto awards at both state and district levels. She has achieved Superior ratings at state and district levels in the annual NCMTA Festival, and has been awarded many first place honors in advanced solo and concerto categories at the annual RPTA Young Artists Auditions, a local competition drawing more than 900 students every year. Karoline has received the Elizabeth Fletcher Memorial award from the Raleigh Music Club, and has been both a bronze and silver medalist in the Campbell University High School Piano Competition, competing against more than 20 piano students from across the state. In 2007 she was chosen to represent Campbell University in the Alma Dark Howard Competition, where she competed against representatives from four other colleges across the southeast, and was awarded second place. She has played in masterclasses for Adam Wibrowski, Mayron Tsong, Tinka Knopf, and John Salmon.


     Karoline has been teaching since her senior year of college, and at Kerry Henry Piano Studios since 2007. Her students participate in local festivals, competitions and community performances, and have been recognized by awards and superior ratings. She is a member of the Raleigh Piano Teachers Association (RPTA) and served on the North Carolina Music Teachers Association (NCMTA) board as Secretary 2009-2011. She is currently serving a second term 2011-2013. She plays for her church in Raleigh and enjoys volunteering as a substitute announcer at WCPE, 89.7 FM.


Elizabeth Malcolm

    

      Elisabeth Malcolm studied piano with Dr. John Salmon at The University of North Carolina at Greensboro where she received a Bachelor of Music in Piano Performance and a Bachelor of Arts in violin.  She was a recipient of the Whitener Piano Scholarship and the Cooper Music Scholarship from 2003-2007.  In the spring of 2004 and 2006, she was the winner of the Euterpe Piano Competition.  She also received the Presser Music Scholarship and the MTNA Student Achievement Recognition (StAR) Award in 2007.

      Upon graduating from UNCG in 2007, Ms. Malcolm continued her studies at The University of Wisconsin at Madison.  She worked with Dr. Catherine Kautsky and Dr. Jessica Johnson and completed a Master of Music in Piano Performance and Pedagogy in 2009.  In 2008, Ms. Malcolm was a winner of the UW-Madison Beethoven Competition.  In addition to being a graduate teaching assistant there, she taught piano through the UW-Piano Lab as well as Piano Pioneers, a program that provides piano lessons for low-income families.  Her graduate research focused on healthy piano technique and wellness at the piano.  She presented this research in a workshop at UW-Madison in 2009.  Throughout her two years there, Ms. Malcolm was involved in the Collegiate Chapter of MTNA where she helped to coordinate Piano Day, an educational piano festival for local students.


     Upon completion of her masters degree, Ms. Malcolm received a 9-month post-graduate fellowship from the New School for Music Study in Princeton, New Jersey.  She continued teaching at the New School as a faculty member the following year (2010-2011).  While at the New School, she taught private and group piano to all ages and levels.  She was also the personal assistant to Louise Goss, one of the co-founders of the New School.  Besides teaching, Ms. Malcolm was the Music Director at Kingston United Methodist Church in Kingston, NJ, where she accompanied the choir, coordinated special music, and played piano for the weekly services.

     Ms. Malcolm is certified to teach Musikgarten classes for ages 0-5.  She received her certification in Greensboro, NC in 2010 and is qualified to teach Family Music (ages 0-2), Cycle of Seasons (ages 3-5), and All God’s Children Sing (ages 1-5).

     Ms. Malcolm has actively performed in her community as both a student in her years at UNCG and UW-Madison as well as during her time at the New School for Music Study.  In one of her performances with the New School, Ms. Malcolm collaborated with faculty to perform works by Bizet and Saint-Sains at Weill Recital Hall in Carnegie Hall.

 

 

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